Ballad of Import-Export: Harvesting Gas and Grapes

Import–Export: A gas-pipe sculpture, inspired by Moldovan centralized pipeline network, and a grape harvesting tool, that performs fortune-telling.

What could Gas and Grapes have in common? Two seemingly unrelated entities, yet both crucial commodities for the Moldovan economy. This project reveals how economic and political abstraction—encoded in the import-export infrastructures of facilitation—is experienced on a human, affective scale.
Strijp-S
Living Environment
Independent & Critical Design
Connected
B3
Klokgebouw
Klokgebouw 50
5617 AB

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DDW ticket required

Opening hours

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Tactile
Tactile
Free Wifi Free wifi available
Toilets Toilets available
Wheelchair Friendly Fully wheelchair accessible
Wheelchair Friendly Toilet Wheelchair friendly toilet available

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A gas-pipe sculpture, inspired by Moldovan centralized gas pipeline network.

When Soviet Union collapsed in 1991 in Moldova, it left behind an economic, informational, and spiritual vacuum, filed by chaos and corruption, along a vast and corroded centralised network of pipes, originally created to distribute cheap gas, which is not the case anymore. One can observe the inherited and ever-evolving relationship between the state and its citizens, by looking at the material state of the critical infrastructure.
The installation reveals the fragmented informational landscape in Moldova, shaped by the friction between conflicting political and national identities, and the inconsistency of the energetic security, always vulnerable and dependent on volatile power relations, be they political or economic.

Through an archive of anonymous social media poetry-traces, the energy infrastructure is exposed as dismembered, into a haunted psycho-geography inhabited by souls living in a state of continuous anticipation, for futures that never arrived, in between temporalities.

A manually powered, hybrid grape-destemmer machine that does fortune-telling.

In the last twenty years, Moldova has become an important fruit and wine exporter, following its long-established, Soviet-time legacy, as an agrarian nation, and further branding itself in that way.
Historically, in the absence of foreign influence, grape harvesting has always been a collective activity in village communities, rooted in agrarian spirituality, which came to signify bonding through work and hardship. Undocumented, unregulated, unspoken of. Increasing export demands, along with regulations on how, and what to harvest, are transforming this local activity, amplifying its scale towards a singular purpose of production, and capital accumulation.

The grape destemmer machine is inspired by local Moldovan home-crafted, wine-making tools found in rural areas, with blades, conveyor belts adapted to enhance its functionality, towards automated harvesting tractors, and general universalization of technology. The machine acts as a fortune-telling tool, since the grapes are separated from the stem, falling down into two distinct containers, therefore pointing towards contradictory scenarios for the future of grape harvesting, and the craft around it.

Grape Destemmer
Grape Destemmer
Sabina Scorțanu
Gas whispers
Gas whispers
Sabina Scorțanu

Hosted by Sabina Scorțanu

Sabina Scorțanu is a Moldovan-Romanian graphic designer and multimedia artist based in the Netherlands. She investigates technology as both method and medium, exposing the imperceptible scalar complexities between communication devices; between humans and technology; between users; between humans and more-than-humans; between software and hardware; between transmitter and receiver; and between the immediate and the distant.

Partners

Sponsored by Ballad of Import-Export: Harvesting Gas and Grapes
Sponsored by Ballad of Import-Export: Harvesting Gas and Grapes