Cherries

sitting on female transformation

In the Cherries (2023) collection, discarded chairs are reborn as intimate sculptural objects, crafted from recycled materials such as bridal tulle and women’s tights. Each work embodies traces of the most fundamental subjective female experience: both in aesthetics and in the act of sitting itself.
Canal
Inclusion
This project is part of
Forward Furniture
G10
De Caai
De Kade, Kanaaldijk-Zuid 1 D
5613LH

Entrance fee

DDW ticket required

By

Lieve de Vreede

Hosted by

DDW X Liv Vaisberg
devreedelieve@gmail.com
0631689097
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Opening hours

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Toilets Toilets available
Wheelchair Friendly Partially wheelchair accessible

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1: Frozen Chair

This piece embodies the first phase of female transformation — the moment when a woman feels frozen in the decision of whether or not to have a child. It’s an uncomfortable state, one that feels full of choice and devoid of it. Contraception, abortion, the decision to have sex at all — each choice leaves traces on the body.

The sculptural chair Frozen makes this tension tangible and feelable. It evokes frozen flesh, a body caught between desire and control. Sitting in it creates a physical experience of both discomfort and massage — a contradiction mirroring the emotional one.

The chair invites men in particular to inhabit this state, to feel the bodily paradox of the baby question.

2: Bridal Chair

Bridal Chair represents the second phase of female transformation — the moment when the desire for connection and security takes shape in the form of marriage. The white tulle and fragile materials evoke romance and purity, but also suffocation and fragility.

At first glance, the chair appears inviting, almost gentle, yet it is too delicate to rely on, and it is literally staggering. It questions what is expected of women within the ritual of marriage — surrender, adaptation, and the quiet loss of personal space.

Bridal Chair is both tribute and dissection — a moment between dream and reality, where beauty and limitation intertwine. She is designed for broad hips, so even more interesting for men to seat in.

3: Womb Chair

Womb Chair marks the third phase of female transformation — the moment after birth, when the woman shifts from lover to mother. Constructed from remnants of a child’s seat and wrapped in women’s tights and seemingly soft, skin-like materials, it embodies both tenderness and fatigue. In this phase, sexuality loses its previous purpose; desire gives way to care for another body. The woman becomes space — literally and metaphorically — in which something else lives. The chair captures the merging of love, exhaustion, and loss of self. You can even try, at own risk, placing your child in it — a soft, uneasy, screaming echo of the original sense of safety, resulting in guilt and shame for the failing parent.

Bruidsstoeltje
Bruidsstoeltje
Parving Bungeberg de Jong
Baarmoeder kinderstoel
Baarmoeder kinderstoel
Parving Bungeberg de Jong

Hosted by Lieve de Vreede

Lieve de Vreede (1993) is a visual artist and philosopher. She searches the boundary between furniture and sculpture, with an interest in the tension between comfort and discomfort. She examines the literal use experience, but also, crucially, the visual, psychological, and sometimes even moral one.

Colofon

gave me the car seat frame
Aiden Sielias
enduring the presence of my works in the public spaces during the making process
Maakgemeenschap de Hoop
making bad quality furniture I can use for my work after breakdown
IKEA