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17-25 October 2026

Mapping the Oblivion

If we increasingly live within the mere margins of algorithms, what does it mean to be human?

Hosted by Julia Janssen

This project is now archived and was part of DDW24

This project is part of
Embassy of Digital Futures
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Becoming oblivious to that what is not programmed?
Becoming oblivious to that what is not programmed?
Algorithms increasingly shape your life: telling you where to go, what to buy and who to listen to. AI creates frictionless experiences: tailored, targeted and optimized to serve you best. But, at what cost? frictionlessness comes with obedience. To the machine, the market and your own prophesy. 

Between frictionlessness and the right to be forgotten

Mapping the Oblivion researches the influence of data on human autonomy and the right to be forgotten in AI. The installation shows the impact of recommendations on our lives through the lens of Janssens family’s Netflix account and provokes questions about to what extent we want to quantify choices. “Will you only watch movies that are over 64% to your liking? Dine at restaurants that match your appetite above 76%. Date people whose compatibility is 89% or higher? Do you not pursue the career you want because it has a 12% chance of success? Do you want to outsmart your intuition with systems you do not understand and follow the map of probabilities and statistics?  The right to be forgotten, is an EU right to request to delete one’s data. However, this right poses a multitude of challenges. The complexity of data-sharing infrastructures requires a new understanding of the right to be forgotten. Moreover, it raises the question of what it means to be forgotten in a world built on data. Do we want to live within the mere margins of algorithms, or can we escape them? Delete data? Dare to choose against the odds? Allow the unexpected? Embrace randomness? Achieve a state of oblivion.
We are 86 per cent sure you will like this.
We are 86 per cent sure you will like this.
How to allow the unexpected in a data-driven world
How to allow the unexpected in a data-driven world
Fragment of video installation
Fragment of video installation

Colofon

Artist, designer and researcher Julia Janssen

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