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17-25 October 2026

De hoed van verwondering

An NWO initiative in which art, design and science strengthen one another.

Hosted by Malou Beemer

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This project is part of
Fashion Tech 2026
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Entrance fee

Free access

Accessibility

Dogs are allowed
Free wifi available
Toilets available
Partially wheelchair accessible
Wheelchair friendly toilet available

Opening hours

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NWO-Hilbert Krane
The hat and its matching shoulder jewel emerged from a blend of new technology, innovation, textile craftsmanship and interdisciplinary collaboration.

Prinsjesdag: a symbol of collaboration

Minister of Education, Culture and Science Rianne Letschert was the first ever to wear the hat on Prinsjesdag 2026. The design symbolises the power of collaboration between science and art and the importance of working across disciplines.

The Hat of Wonder emerged not in a fashion atelier, but under a microscope. There, chemist Wim Noorduin (AMOLF, UvA) discovered remarkable, flower-like structures. Designer, artist and researcher Malou Beemer translated them into a eyecatching, wearable design.

The background

Pure curiosity lies at the heart of every scientific discovery. Many major innovations begin with a single question: how does this actually work?
Wim Noorduin’s fundamental chemistry research into microscopic flower shapes ultimately led to a method for detecting toxic lead, now used worldwide. The police and the Netherlands Forensic Institute (NFI) also use the invention in forensic investigations.
The hat tells the story of fundamental research: how wonder can lead to real societal impact. It also tells the story of interdisciplinary collaboration: how cross-pollination builds an innovative society.

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Come to Dutch Design Week and make this project part of your visit.

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NWO-Hilbert Krane
NWO-Paul Tolenaar
NWO-Hilbert Krane

By

Malou Beemer

Hosted by

Marina Toeters and the Farmer Friends
info@maloubeemer.com
0624608283
Visit website
Download press kit

About Malou Beemer

Malou Beemer is a Dutch designer, artist and researcher focused on design innovation and textile interaction. She reshapes the relationship and interaction between us and our (textile) surroundings. Through the fusion of art, design, and technology, we are making the invisible tangible.