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17-25 October 2026

SCOBY Face

Hosted by Xijing Xu

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Entrance fee

Free access

Event type

Exhibition

Accessibility

Tactile
Toilets available

Opening hours

09:00
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18:00
09:00
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18:00
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18:00
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Nico Fritzenschaft
A vessel for cultivating kombucha, drinking, and facial care – inviting an intimate encounter with your microbial companion, from gut to skin.

Cultivating SCOBY

The cultivation of SCOBY (Symbiotic Culture of Bacteria and Yeast) is an integral part of kombucha and vinegar brewing. Formed by active microorganisms at the interface between liquid and air, it develops into a living microbial membrane. People are accustomed to cultivating kombucha in wide-mouthed, circular vessels and, as a result, have come to regard the SCOBY itself as inherently round. Yet its growth and form are always shaped by the boundaries of the container in which it is cultivated.

Forming Through Boundaries

SCOBY Face is a series of experiments by Xijing Xu that uses ceramic vessels as kombucha-growing containers. By altering the shape of each vessel’s opening, Xu cultivates SCOBYs with different contours, inviting people to reconsider how they perceive, understand, and engage with this symbiotic organism, while exploring new possibilities for living alongside it.

Building the intimate relationship with your microbial pet – from gut to skin

The mask-shaped vessel emerged from the first experiment in the SCOBY Face series. Cultivated into the form of a cosmetic face mask, the SCOBY proposes a different kind of intimacy between humans and microbes – one that extends beyond the exchange of gut microbiota and toward direct contact with the skin.

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Come to Dutch Design Week and make this project part of your visit.

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Nico Fritzenschaft
Nico Fritzenschaft
Nico Fritzenschaft
Nico Fritzenschaft

About Xijing Xu

Xijing Xu is a Berlin-based designer working at the intersection of food, fermentation and material culture. Through objects, installations and collaborative research, she explores new relationships between humans, microorganisms and agriculture. Before establishing her independent practice, she worked as an industrial designer for indoor agriculture, and later in exhibition production for contemporary arts.