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17-25 October 2026

STRATA

Archaeological finds from the soil, transformed into glazes where time, material and craft converge.

Hosted by Natasja van der Meer

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This project is part of
EX SITU - Matter in Translation

Entrance fee

DDW ticket required

Accessibility

Free wifi available
Toilets available
Fully wheelchair accessible
Wheelchair friendly toilet available

Opening hours

11:00
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18:00
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Strata by Natasja van der Meer
Strata by Natasja van der Meer
Natasja van der Meer
In Strata, Natasja van der Meer turns eight archaeological materials, some 20.000 years old, into glazes for ceramics. Time, alchemy and craft merge into layered landscapes.

Strata

In Strata, Natasja van der Meer explores how archaeological finds from the soil of South Holland can take on new meaning. Eight materials form the starting point: flint, mammoth bone, ceramics, wood, glass, iron, natural stone and leather. Each carries the traces of a different time, from geological origin and human use to centuries of preservation in the earth.

These materials are not silent remains, but active carriers of knowledge, history and possibilities. Their mineral properties form glazes in which time, chance, alchemy and craftsmanship flow together. The past is not reconstructed but given a new form of appearance.

The glazes come together on a series of porcelain plates. Their surfaces recall sediments and cross-sections of the soil. Colours, textures and traces merge into one another. Each plate becomes a landscape in which geological time, human history and contemporary craft converge.

Strata builds on what has been preserved in the ground. Old matter forms a new layer, without losing its history. What lay hidden for centuries finds its place in a story that began thousands of years ago and continues into the present.

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By

Natasja van der Meer

Hosted by

Marisa Klaster / René Isarin
info@natasjavandermeer.nl
0031628645989
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About Natasja van der Meer

Natasja van der Meer is an artist and designer. She works with local natural materials such as clay, plants, wood and stone. Her practice is rooted in reciprocity and regenerative thinking, with respect for the origin and the stories of every material.