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17-25 October 2026

With Reflection

Hosted by Antoine Guitou

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Entrance fee

Free access with DDW ticket or entrance fee (€ 2,50)

Event type

Exhibition

Accessibility

Toilets available
Fully wheelchair accessible
Wheelchair friendly toilet available

Opening hours

11:00
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18:00
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18:00
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@brussels_tone
This series of 10 veils were designed as a closed box by Antoine Guitou, a textile designer based in Brussels,for a special meeting room near European Commission. The 30 meters long pattern is obtained by appliqué, giving a shimmering effect.

For the architects

Antoine Guitou created Chateau Resort, a label dedicated to artful decoration as immersive environments. For architects, their works transform spaces through made-to-measure textile landscapes, often recalling the tradition of medieval style wall tapestry. Crafted with veils layered like stained glass, their pieces are not just objects but carriers of meaning, portable, intimate, and inheritable across homes and generations.

About the craft

The process, alike a patchwork, makes the format technically limitless. It could go in any space of any size and would fill it and make it grand. Here it’s a special kind of appliqué with an edge top stitch. Some pieces of moka, peach and tangerine fabric are placed on a jade green backdrop. Without light coming from behind they stand boldly on the green. With light, their colours fuse with the background and tend to blend together. It creates more subtle brown shades.

School of line and school of the colour

Antoine always double the graphic composition with an extensive chromatic research. To imply a feeling of depth without perspective, he modulated the scale of the patterns in warms colors on the colder green. The shapes dialog with the pleats of the veil. The object is neither totally 2D nor really 3D. It is an in between, a door to somewhere else.

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About Antoine Guitou

Antoine creates objects that exist at the intersection of design, textile art and craftsmanship. His curtains are composed like paintings, patchwork assemblages crafted using an appliqué technique reminiscent of liquid stained glass. Through these works, he depicts symbolic and deeply personal landscapes, at times developed in dialogue with commissioners or clients.