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ALL READY HERE, questions the notion of the gaze in the 21st century. Between fatality and chances, the activity of the gaze – the opsis -sends us back to fantasized pasts, standardized presents and anxious futures.
A theatre of objects, ALL READY HERE features characters who observe and even survey the spectator. Boxes of eyes, cyborg trees and golden mushroom occupy the space. Each of them, in their own way, watch and collect information about the spectator. Both t
