![]({
"default": "https://ddw.ams3.cdn.digitaloceanspaces.com/thumbs/1mr_1663156273_1800x1010.jpg",
"tablet-wide": "https://ddw.ams3.cdn.digitaloceanspaces.com/thumbs/1mr_1663156273_1280x720.jpg",
"tablet-small": "https://ddw.ams3.cdn.digitaloceanspaces.com/thumbs/1mr_1663156273_968x544.jpg",
"phone-wide": "https://ddw.ams3.cdn.digitaloceanspaces.com/thumbs/1mr_1663156273_680x.jpg"
})
"The first polished metal creates the ideal canvas for welding discoloration. These welding points carry a double function here. Functional, as always, on the back. But also, esthetically visible at the front."
Concept
During all my years spent in the workshops of the academy I have noticed that we often to always eliminate or hide the traces of adaptations in the making process.
With my work I embrace those adaptations and give them a stage. Here you can see that, for example, in the welding points that cause discoloration.
To create this podium, I reversed the making process. What was first adapting and then doing the finishing touches, has now become finishing something and only then adapting it.
